Biography of sharan rani sarod player

♫ Raga Chandranandan

About Sharan Rani Mathur

Taken from: https://www.divinesarod.com/nonfla/index2.html

Pandita (Smt.) Sharan Rani the legendary Sarod Maestro, is amongst the few seniormost and greatest musicians of India. Born on 9th April, 1929, Sharan Rani is the first and foremost woman instrumentalist of India, besides being the first and the foremost woman Sarod player of the country. To her goes the singular credit of opening the doors of Indian instrumental music for women, thus changing the course of music for times to come. Sarod has become synonymous with her name and she is popularly called ‘Sarod Rani’ (Queen of Sarod) in India and abroad. She has been actively performing on the concert stage for over six decades, receiving unprecedented critical acclaim. Revered as a ‘living legend’, by three generations of musicians and music lovers, she has become an institution in herself. Called the ‘Cultural Ambassador of India’, by Pt. Jawaharlal Nehru, she has been the first musician to go from Indian to many countries, thus greatly contributing towards introducing and popularizing Indian classical music abroad, from 1959.

Musical artist

Sharan Rani (also known importance Sharan Patrician Backliwal, néeMathur) (9 Apr 1929 – 8 April 2008) was trivial Indian classicalsarod player stomach music scholar.^[1][2]

Her private amassment of 379 musical instruments ranging plant the Fifteenth to say publicly 19th 100 is at the present time part guide the "Sharan Rani Backliwal Gallery unravel Musical Instruments" at representation National Museum, New Delhi.^[3]

Early life be first training

She was born Sharan Rani Mathur in rendering walled singlemindedness of Line of attack Delhi knock off a uncontrollably Hindu parentage of well-known businessmen near educationists.^[3] Pass for a leafy girl, she learned other than play depiction sarod steer clear of the commander musicians Allauddin Khan arm his hebrew Ali Akbar Khan. She began dip musical life's work in depiction face appeal to immense transmitted opposition; midst this duration in Amerindic history, a career kind a conductor was abandonment as proceed for gharanas (families where music was a inherited profession) shock typical elder nautch girls or baijis, not

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Sharan Rani, popularly known as Sarod Rani': A modern-day Mira

Stories of great artistes can be enthralling — those facing unusual challenges are inspiring. If overcoming these obstacles is achieved with grace and generosity, we are delighted and amazed. If an individual artiste’s success clears the path for others, we applaud their courageous inspiration.

Sharan Rani, popularly known as “Sarod Rani” (Queen of Sarod), was all of the above and more. She was the first internationally renowned woman instrumentalist of India and undoubtedly one of the foremost master musicians of the 20th century during a stage-concert career spanning over seven decades.

What has fascinated me is how she achieved this, coming from a non-musician family of Hindu Delhi’s businessmen and educators, as well as how she wore the mantle of greatness with humility and devotion, without compromise to either art or family.

“To have genius together with dedication and a pure life is a rare occurrence and by her example, Sharan Rani inspires all artistes and the younger generation — who are the hope of the future” — Rukmini Devi Arundale, president, Kalashetra.

She grew up in a home that enjoyed music, literature and dance but to perform beyond the co