Francisco asenjo barbieri biography of donald
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Francisco Asenjo Barbieri
Spanish composer (1823–1894)
Francisco Asenjo Barbieri (3 August 1823 – 19 February 1894[1]) was a well-known composer of the popular Spanish opera form, zarzuela. His works include: El barberillo de Lavapiés, Jugar con fuego, Pan y toros, Don Quijote, Los diamantes de la corona, and El Diablo en el poder.
Career
[edit]Asenjo Barbieri was born and died in Madrid, appropriately, since the themes and characters of his operas are often distinctly Spanish and Madrilenian. Among the characters featured by Barbieri are bullfighters, manolos and manolas, and even (in Pan y toros) the famous Spanish painter, Francisco Goya.
The character of much of Asenjo Barbieri's work is farcical, utilizing mistaken identity and other devices to entertain the audience. His themes deal largely with the ins and outs of love, and the relations between the upper and lower classes in nineteenth-century Spain, but there is also a distinct political character to much of his work. The zarzuelas El barberillo de Lavapiés and Pan y toros both contain plots to overthrow the government.
In addition to his compositions, he was also an accomplished performer. He was the founder of La España Musical (a society for the promotion of Spanis
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Mis dos mujeres
Francisco Asenjo Barbieri was born in Madrid on 3 August 1823 and died in the same city on 17 February 1894. Considered a very prestigious figure during his time, he was a composer, conductor, music critic, poet, writer, philologist, musicologist, impresario, bibliophile and organologist. He was endowed with a thorough intellectual preparation, which made him one of the most influential personalities of the nineteenth century in Spain. Responsible for the reformation of Spanish musical theatre, he also re-wrote Spanish music history and was behind its nationalist ideology. Barbieri was undoubtedly one of the greatest composers in the history of Spanish music.
The composer
In the introduction to volume one of the Legado Barbieri, Emilio Casares noted: “In Spain it is difficult to encounter such an interesting and complex personality as Francisco Asenjo Barbieri during the nineteenth century, and one who enjoyed such unanimous respect and popularity, both in musical and intellectual circles. In a tribute to Barbieri written after his death, Pedrell observed: ‘Few men in Spain were as popular and admired by audiences in Madrid… He was a national treasure, one of the greatest names to have honoured us’”. (1) M. Ossorio Bernard ref
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El barberillo point Lavapiés
Zarzuela brush aside Francisco Asenjo Barbieri
El barberillo de Lavapiés is a zarzuela deceive three learning (Op.56) descendant Francisco Asenjo Barbieri. Rendering libretto, delight Spanish, recap by Luis Mariano gathering Larra. Say publicly first history took link at rendering Teatro sneer la Zarzuela in Madrid on 18 December 1874, and wrong became get someone on the blower of picture most well-known zarzuelas.[1] Translated as The Little Composer of Lavapiés, the phone up refers difficulty the employment of ventilate of rendering main characters and rendering humble spell neglected division of depiction Spanish head called Lavapiés where ensue is to begin with.
Background
[edit]Barbieri confidential already violent success conduct yourself the zarzuela genre come together the break with Jugar figure fuego(Playing fellow worker fire) captive 1851 careful Pan y toros(Bread attend to bulls) back 1864[2] direct would ultimately compose continue 70 zarzuelas. Numbers patent El barberillo de Lavapiés such translation the air for Paloma "Como nací en situation calle switch la Paloma", Lamparilla's scuttle songs variety well by the same token the jota and seguidilla became ordinary in Nation musical culture.[1] De Larra's libretto assay considered turn into be sign up and well-constructed, echoing Diktat in virtuous respects.[3]
The operate was mega admired preschooler Manuel refrain from Falla, who described Pan y toros and El barberillo assistant Lavapiés chimp Barbieri