Heri dono biography of michael
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Heri Dono’s Bidadari (Flying Angels) are reminiscent of the figures found in wayang golek, a puppet theater tradition native to Indonesia. The artist also cites Flash Gordon and other science fiction characters as an influence, and his handmade angels connect folk and popular culture. Dono created this work during a period of intense political repression in Indonesia, and he chose to engage with the imagery of puppetry because of its long history as a platform where otherwise taboo social and political issues may be addressed through allegory and symbolism. Here, Dono offers us a small moment of personal freedom: you may choose to activate the work—causing the bidadari to flap their wings and make noise— by stepping on one of the two floor pedals. Referencing both traditional and contemporary Indonesian culture, Bidadari (Flying Angels) also functions as a symbol of liberty and the power of the human imagination.
Label from Out of Sight! Art of the Senses, November 4, 2017–January 28, 2018
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Venezia, Italy
Heri Dono (1960);
Carla Bianpoen; Restu Imansari Kusumaningrum;
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London, Italy
Heri Dono (1960);
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İstanbul, Turkey
Alwin Reamillo; Araya Rasdjarmrearnsook (1957); Aung Ko (1980); Aung MYINT (1946); Bui Cong Khanh (1972); Chris Chong Chan Fui (1982); Dinh Q. Lê (1968 - 2024); Duto Hardono; FX Harsono (1949); Heri Dono (1960); Isabel & Alfredo Aquilizan; [Roslisham Ismail] Support (1972); Jakkai Siributr; Jason Lim; Josephine Turalba; Krisna Murti (1957); Lee Steatocystoma (1957 - 2019); [Luong Hue Trinh & Nguyen Xuan Son] Luong & Nguyen; Manit Sriwanichpoom (1961); Melati Suryodarmo (1969); Mella Jaarsma; Mi
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Looking Back, Looking Forward: Asian Art and Asia Society
It has become something of a cliche to talk about the rise of Asia. Yet in the latter part of twentieth-century history it is hard to ignore. As one of the leading organisations in the United States devoted to examining Asia, the Asia Society, through its programs in arts and culture, business and policy, and education, as well as the establishment of centers in the United States and Asia, has reflected these dramatic changes. This year marks the 50th anniversary of the founding of the Asia Society. Although much has changed since the immediate post-World War II period, when the Asia Society was established with a mission to educate Americans about Asia, one might argue that this mission is equally important today. The establishment of our centers, an integral part of the Asia Society’s evolution, and their expansion, is evidence of not just our own growth but also of the expanding need and desire from both U.S. and Asian communities to learn about Asia. Our center in Hong Kong was founded in 1990, and we have plans to open a specially designated building in the heart of Central Hong Kong with galleries and an auditorium, making it a key organisation in the cultural landscape of the city. Other plans include a bu