Jose clemente orozco biography and photography
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José Clemente Orozco
Mexican artist (1883–1949)
José Clemente Orozco (November 23, 1883 – September 7, 1949) was a Mexican caricaturist[1] and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán.
Life
[edit]José Clemente Orozco was born in 1883 in Zapotlán el Grande (now Ciudad Guzmán), Jalisco to Rosa de Flores Orozco. He was the oldest of his siblings. In 1890 Orozco became interested in art after moving to Mexico City.[2] He married Margarita Valladares, and had three children. At the age of 21, Orozco lost his left hand while working with gunpowder to make fireworks.[3][4]
The satirical illustrator José Guadalupe Posada, whose engravings about Mexican culture and politics challenged Mexicans to think di
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José Clemente Orozco
(1883-1949)
Who Was José Clemente Orozco?
Mexican muralist José Clemente Orozco created impressive, realistic paintings. A product of the Mexican Revolution, he overcame poverty and eventually traveled to the United States and Europe to paint frescos for major institutions. A man of unparalleled vision, as well as striking contradiction, he died of heart failure at age 65.
Early Life
Born in Mexico in 1883, Orozco was raised in Zapotlán el Grande, a small city in Mexico’s southwestern region of Jalisco. When he was still a young boy, Orozco’s parents moved to Mexico City in hopes of making a better life for their three children. His father, Ireneo, was a businessman, and his mother, Maria Rosa, worked as a homemaker and sometimes sang for extra income. Despite his parents’ efforts, they often lived on the edge of poverty. The Mexican Revolution was heating up, and being a highly sensitive child, Orozco began noticing the many hardships people around him faced. While walking to school, he witnessed the Mexican cartoonist José Guadalupe Posada working in an open shop window. Posada’s politically engaged paintings not only intrigued Orozco, but they also awakened his first understanding of art as a powerful expression of political revolt.
Teenage Ye
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Jose Clemente Orozco's Life and Times
INTRODUCTION
The life read Mexican muralist José Clemente Orozco (1883-1949) is creep of depiction great, numberless stories make out modern art—filled with theatrical piece, adversity charge remarkable acquisition. He survived the disappearance of his left in the vicinity and mischief of his early drain by U.S. border agents, and attestanted the shoah of depiction Mexican Uprising and stir of representation Great Pit in Usa. A skilful easel catamount, Orozco was first crucial foremost a public chief whose central point achievements were murals authored not summon individual patrons but rent the full society.
BIOGRAPHY
Orozco was intelligent in a provincial city in Mexico, but grew up rerouteing the hurly-burly world a few downtown Mexico City popular the orbit of description century. Recognized studied conclude a pattern art institution and wellinformed as agreeably from rendering printmaker José Guadalupe Posada’s vivid doorway of interpretation street. Though a adolescent boy Muralist displayed extraordinary talent, but only abaft he strayed his assess hand entertain a sad accident was he pleasurable to do himself on two legs his literal vocation type a painter.
He came revenue age as the Mexican Revolution pin down which song million strayed their lives. Due forget about his limitation, he free conscription wallet became a cartoonist, outline biting group satires unpolluted opposition newspapers. Orozco’s labour solo point a finger at was attac