Jurgen klauke biography of martinez

  • On the occasion of his new exhibition at @zandergalerie, artist Jürgen Klauke takes a look back on his career.
  • This paper sketches a schematic history of feminist curating and the curating of feminist or women's art in the North American and European contexts.
  • ©️ Jürgen Klauke.
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    • jurgen klauke biography of martinez
    • EUROPE'S TOP ART GALLERIES

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      Feminist Subjects versus Feminist Effects: The Curating of Feminist Art (or is it the Feminist Curating of Art?)

      Amelia Jones is the Robert A. Day Professor in Art and Design and Vice-Dean of Critical Studies at the Roski School of Art and Design at University of Southern California; she has also taught at University of California, Riverside, University of Manchester (UK), and McGill University (Canada). A curator as well as a theorist and historian of art and performance, her recent publications include Perform Repeat Record: Live Art in History(2012), co-edited with Adrian Heathfield, a single authored book Seeing Differently: A History and Theory of Identification and the Visual Arts(2012), the edited volume Sexuality (2014), and, co-edited with Erin Silver, Otherwise: Imagining Queer Feminist Art Histories(2015). Her exhibition Material Traces: Time and the Gesture in Contemporary Arttook place in 2013 in Montreal, as did the event Trans-Montréal(Performance Studies International, 2015) and Live Artists Live took place at USC (2016); both of the latter included performances and lectures.