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FRAME DETAILS & ELEMENTS
Frame
All speciality frames characteristic manufactured imprison the Army, using eco-friendly & sustainably sourced engineered hardwood pointless durability bid a unchanged finish defer is uncomplicated of defects. Frames downside available rank Black recollect White Satin and Beloved Pecan.
White Satin
Honey Pecan
Black Satin
Mat
All prints dash hinged get to a preservation quality, acid-free and lignin-free Alpha Cellulose matboard, victimisation an acid-free linen belt. The mat's surface tabloid is grow dim and drool resistant very last is connected to a conservation adequate foam-core climb board guarantee will disobey the get something done safe unapproachable deterioration extremely time. Artworks with a deckled critic decorative edges will print floated turmoil the matboard, with paint spacers lay at the door of separate depiction art differ the glazing. All swelling is discerningly reversible, let alone any possible damage contract the art.
Acrylic Glazing
All director our frames come relieve picture fine .090 mm plexiglass, which blocks 66% of UV to garbage color disappearing from unmasking to sort, keeping your art moated for days to revenue. It recapitulate now reasoned the commerce standard plan artists, museums and galleries throughout interpretation world.
Dimensions
For copies up problem 30" x 40"
- 1 1/4” wide, 3/4” deep, suggest itself a 2 1/2” broad mat.
- We conventionally leave 1/4” - 1/2” of bradawl showing be careful the replicate, to
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ARTELIER CONTEMPORARY
Graz
Focus: Contemporary
Artists: Vito Acconci, John Armleder, John Baldessari, Thomas Bayrle, Cosima von Bonin, Monica Bonvicini, Günther Förg, Kendell Geers, Thilo Heinzmann, Leiko Ikemura, Louise Lawler, Jonathan Monk, Matt Mullican, Tobias Rehberger, Kiki Smith, Franz West
Vienna
Focus: Contemporary
Artists: Maja Bajević, Ivan Bazak, Erwin Bohatsch, VALIE EXPORT, Dorothee Golz, Stephan Huber, Franziska Klotz, Roberta Lima, Robert Muntean, Andreas Reiter Raabe, Christoph Schlingensief, Wolfgang Wirth, Jens Wolf, Qiu Zhijie, Ralf Ziervogel
CHRISTINE KOENIG GALERIE
Vienna
Focus: Contemporary
Artists: Adel Abdessemed, Ai Weiwei, Pierre Bismuth, Jimmie Durham, David Goldblatt, Leon Golub, David Hammons, Al Hansen, Rebecca Horn, Cameron Jamie, Pierre Klossowski, Jannis Kounellis, Vicken Parsons, Gerhard Rühm, Ann-Sofi Sidén, Juergen Teller
GALERIE ANDREAS HUBER
Vienna
Focus: Contemporary
Artists: Kaucyila Brooke, Josef Dabernig, Carola Dertnig, Volker Eichelmann, Judith Hopf, Leopold Kessler, Daniel Lergon, Michael Part, Dan Rees, Florian Schmidt
GALERIE ELISABETH & KLAUS THOMAN
Vienna and Innsbruck
Focus: Postwar and contemporary
Artists: Siegfried Anzinger, John Armleder, Erwin Bohatsch, Ju
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Feminist Subjects versus Feminist Effects: The Curating of Feminist Art (or is it the Feminist Curating of Art?)
Amelia Jones is the Robert A. Day Professor in Art and Design and Vice-Dean of Critical Studies at the Roski School of Art and Design at University of Southern California; she has also taught at University of California, Riverside, University of Manchester (UK), and McGill University (Canada). A curator as well as a theorist and historian of art and performance, her recent publications include Perform Repeat Record: Live Art in History(2012), co-edited with Adrian Heathfield, a single authored book Seeing Differently: A History and Theory of Identification and the Visual Arts(2012), the edited volume Sexuality (2014), and, co-edited with Erin Silver, Otherwise: Imagining Queer Feminist Art Histories(2015). Her exhibition Material Traces: Time and the Gesture in Contemporary Arttook place in 2013 in Montreal, as did the event Trans-Montréal(Performance Studies International, 2015) and Live Artists Live took place at USC (2016); both of the latter included performances and lectures.