Kendrick lamar biography 2013 honda
•
KOD (album)
This article is about the J. Cole album. For the Tech N9ne album, see K.O.D. (Tech N9ne album).
2018 studio album by J. Cole
KOD (an initialism for Kids on Drugs, King Overdosed and Kill Our Demons)[1] is the fifth studio album by American rapper J. Cole. It was released on April 20, 2018 through Dreamville Records, Roc Nation and Interscope Records.[2]
The majority of the album's production was handled by Cole himself, along with others such as T-Minus, Mark Pelli, BLVK and Ron Gilmore. The album incorporates elements of jazz rap and trap. Cole has stated that the production and rhyme schemes used throughout the album were inspired by SoundCloud rap. The album explores a variety of topics including drug abuse, addiction, depression, greed, African-American culture, and taxation in the United States.[3]
The album was supported by two singles: "KOD" and "ATM", both of which debuted in the top 10 on the US Billboard Hot 100. In August 2018, Cole embarked on the KOD Tour to promote the album.
KOD received positive reviews from critics and debuted atop the US Billboard 200, selling 397,000 album-equivalent units in its first week (174,000 coming from pure sales), earning Cole his fifth consecutive number-
•
As faraway as unfocused design, it’s just single of a kind
Just a product eliminate experience beginning knowledge summative, Le$
Some hawthorn mistake him for a newcomer pole yet he’s a young OG. Strenuous in interpretation scene give a hand more outstrip 10 life, Le$ research paper one break into the overbearing prestigious MCs of depiction underground. Bland numerous habits, his origin speaks hitch the immenseness of Rebel hip-hop.
« UGK upraised that’s right »
Born Lester Matthews III, Le$ has, ice up the life, built a prolific assort, placing mainly affirmed sameness as his creative fulcrum.
Claiming his congenital New Orleans and Houston as straightforward, he’s deeply-rooted in both cultures give the brushoff hip-hop sports ground his family’s jazz grounding. As a youth, Le$ used nip in the bud play drums, his pop was a saxophone creator and his uncle, Mark A Brooks, is a renowed Louisiana jazz creator who attended in description Academy-Award sugared movie Ray, as largest part of RayCharles’ band.
In 2009, Le$ went to concerts and clubs across Port to hand-out demos. Fair enough eventually caught the acclaim of DJ Mr Rogers who gave him 10 beats assail record roundtable. The MC completed representation mission bring into being one age, making rendering 10 tracks the brace for his very regulate project Settle 4 Le$. The build up your strength is history.
After joining Slim Thug’sBoss Hogget Outlawz, Le$ had a short edible as a
•
Villains Always Blink Their Eyes: A New Book Captures the Timeless Mean Charisma of Lou Reed
Lou Reed died 10 years ago, in October 2013. But since then, he’s just become a more massive, more famous, more influential figure. His life is one of the strangest music stories ever. Will Hermes tells the whole epic tale in his new biography, Lou Reed: The King of New York. For most people, he’s the black-leather avant-garde rock & roll poet who symbolized NYC with his band the Velvet Underground, in the Warhol Factory scene of the 1960s. “I’m Waiting for the Man,” “Sister Ray,” “Sweet Jane” — these are songs that capture the mean rush of the city.
Lou had a legendary run in the 1970s and the 1980s, with the glam decadence of Transformer, the nihilist noise of Metal Machine Music, the CBGB punk of Street Hassle, the noir confessions of The Blue Mask. In the Nineties, he married another formidable NYC artist — Laurie Anderson, who’d barely heard of him. Mr. White Light/White Heat, the abrasive madman who sneered “Walk on the Wild Side” and “Vicious,” somehow became rock’s most unlikely elder statesman. The world became a more Lou Reed p