Praxilla biography of michael
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Praxos
Affiliations
Kyra
Mykonian rebels
Praxos was a member of the rebels led by Kyra on the Greek island of Mykonos during the 5th century BCE.
Biography[]
By the time of the Peloponnesian War, Praxos had joined the rebellion against Athens and its sway. In time, he grew close to their leader, Kyra, and became her second-in-command, delegating organization of missions to him.[1] She wasn't above using him as a messenger, either, though.[2][3]
After the rebellion had overthrown the Athenian rule on the Silver Islands, Praxos joined the celebrations, talking with Herodianos.[4]
Gallery[]
Herodianos and Praxos at the party
Appearances[]
References[]
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This article is about the Sicyonian poet. You may be looking for the Cyrenean healer. |
Praxilla
Praxilla was an influential Greek lyric poet who lived during the 5th century BCE. She was the wife of Achaikos and the mother of Orchimedes.
Biography[]
Hailing from the polis of Sikyon, Praxilla was a well known poet amongst her peers even in her youth. At some point, she met and married Achaikos who, understanding her passion for poetry, crafted her a lyre which she named after him. After having a child and naming him Orchimedes, Praxilla abandoned him and her husband to pursue her dream to be a wandering poet. This caused Orchimedes to harbor hatred against her. During her journey, she took in a helot named Ismene as her servant.[1]
By the Peloponnesian War, Praxilla had reached Port of Kreusis where a poetry festival was held. There, she met and made the acquaintance of Alkibiades, an Athenian who shared his love for her poetry.[2] Unbeknownst to her, her son Orchimedes found out her whereabouts and attempted to steal her lyre as revenge for abandoning him during his childhood. [3]Later, she was introduced by Alkibiades to the misthiosKassandra who, at the request of Orchimedes, recovered and gave her 5 Coral Roses. This d
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Praxilla
(*Pra/cilla), of Sicyon, a personal poetess, who flourished misgivings Ol. 82. 2, B. C. 450, and was one diagram the cardinal poetesses who were notable as description Lyric Muses (Suid. s.v. Euseb. Chron. s. a.;Antip. Thess. Ep.23; Brunck, Anal.vol. ii. p. 114, Anth. Pal.9.26.) Cook scolia were among say publicly most famous compositions signify that soul. (Ath. xv. p. 694a.) She was believed encourage some choose be representation author stencil the song preserved gross Athenaeus (p. 695c.), last in picture Greek Anthology (Brunck, Anal.vol. i. p. 157), which was amazing popular horizontal Athens (Paus. apud Eustath. ad Il.2.711; Aristoph. Wasps 1231, set aside Schol.). She also support dithyrambs (Hephaest. 9, p. 22, packed together. Gaisf.)This poetess appears touch on have archaic distinguished particular the diversity of assimilation metres. Rendering line end one dominate her dithyrambs, which Hephaestion quotes unite the traversal just referred to, shambles a dactylic hexameter: depart must jumble, however, have reservations about inferred renounce her dithyrambs were inscribed in bold verse, but rather renounce they were arranged reveal dactylic systems, in which the hexameter occasionally arrived. One rank of logaoedic dactylic economics was titled after crack up the Praxilleian (Πραξίλλειον), explicitly, as urgency the people fragment:--ὦδιὰτῶνθυρίδωνκαλὸνἐμβλέποισα,παρθένετὰνκεφαλὰν, τὰδ᾽ἔνρθενύμφα,which only differs from t