Svetlin roussev biography definition
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Svetlin Roussev, violinist
Since winning the first prize at the widely acclaimed first Sendai International Competition in May 2001, the charismatic violin virtuoso Svetlin Roussev enjoys a prestigious international career in many of the world’s major concert halls, including the Bolshoi Theatre and Tchaikovsky Hall in Moscow, Suntory Hal in Tokyo, Seoul Arts Center, Salle Pleyel, UNESCO, Théâtre des Champs Elysées, Théâtre du Châtelet, Cité de la Musique, Théâtre de la Ville in Paris, Bulgaria National Concert Hall, Budapest’s Béla Bartók National Concert Hall, Frankfurt’s Alte Oper, Konzerhaus in Berlin, Centro Cultural Kirchner in Buenos Aires, Palais des Beaux Arts de Bruxelles and the Palais of the United Nations in Geneva.
Roussev is a regular guest soloist with various orchestras such as the Orchestre National de France, Orchestre Philharmonique de Radio France, Seoul Philharmonic Orchestra, Tokyo Philharmonic Orchestra, Indianapolis Symphony Orchestra, George Enescu Philharmonic Orchestra (Bucharest), Romanian National Radio Orchestra, Cremerata Baltica, Bulgarian National Radio among others. In the USA, Latin America, Asia and Europe he has performed under the baton of conductors such as Myung-Whun Chung, Leon Fleisher, Yehudi Menuhin, Yuzo Toyama, Marek Janowski,
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By Samuel Zygmuntowicz
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Raina Kabaivanska (b. 1934)
"Kabaivanska is an operatic soprano. She studied at the Bulgarian State Conservatory and made her début in Sofia in 1957 as Tatyana. In 1961, after further study in Italy, she appeared at La Scala in Vincenzo Bellini's Beatrice di Tenda; her American début was at San Francisco in 1962 as Desdemona. She returned regularly to La Scala and has since sung in all the major Italian opera houses and often in the opera festivals at Martina Franca; she also appeared at the Metropolitan (début in 1962 as Nedda), Covent Garden (where her Desdemona, opposite Mario Del Monaco in 1964, received great critical acclaim), Moscow, Salzburg and Vienna. In 1973 she sang Hélène in Callas's production of Les vêpres siciliennes at the rebuilt Teatro Regio, Turin. In 1971 she became a permanent guest artist at Hamburg. She made her Paris début in 1975 at the Opéra as Leonora (La forza del destino). Butterfly and Tosca were considered her greatest roles, and her repertory also included the Countess (Capriccio), Elizabeth (Roberto Devereux), Adriana Lecouvreur and Francesca da Rimini. At Rome in 1981 she sang the title role in the first 20th-century production of Gaetano Donizetti's Fausta, and in 1984