David armstrong painter biography sample
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David Armstrong (–)
“HI, DOLL,” was David’s usual greeting when I saw him. “Hi, doll,” or “my dear darling,” or, if he was feeling inclined toward the black-and-white cinematic, a crooning “fix the kids a drink, George” (this is a line from Who’s Afraid of Virginia Woolf?), or just as often, some trademark Davidism such as, “I’ve just spent Christmas in a deep and probing excursion into the world of emotional extortion and psychic depravity—good times.” It occurs to me now that David was the only friend whom I greeted with a kiss on the lips. It wasn’t sexual—I wasn’t his type. It was a soft peck, an intimate reminder that the family of slightly damaged orphans we had all become was, for an hour or an afternoon around David, complete.
The question of biography is a loaded one when evaluating the work of artists—particularly photographers such as David, who relied as much on formal structures as the intimacies he created with subjects in the temporary safety zones of his camera frame. He made no attempt to hide his personal connections to what he shot—from the friends and lovers he photographed in his hauntingly candid and restlessly raw images from s and
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David Armstrong
David Armstrong first received critical attention for his intimate portraits of men, either lovers or friends, in sharp focus. In the nineties, he began to photograph cityscapes and landscapes in soft focus to contrast with the resolution of his portraits. Street lights, electric signs and cars are reduced to a sensual mottled blur, complementing the vividness and tactility of his portraits. His photographs have been included in numerous exhibitions including the Museum of Fine Arts Boston, MA, P.S. 1, Long Island City, NY, Museum für Gestaltung Zurich, Switzerland, The Institute of Contemporary Art Boston, MA, Institute for Contemporary Arts, San Francisco, Dallas Museum of Art, Texas, Hamburger Kunsthalle Hamburg, Germany and the Whitney Biennial at the Whitney Museum of American Art, New York, NY. Armstrong’s work has appeared in French Vogue, L’Uomo Vogue, Arena Homme+, GQ, Self Service, Another Man and Japanese Vogue among others.
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For pinnacle one competition this digital exhibition, 20 videos plot been produced documenting depiction exhibited entirety (see below). Additional videos will suspect released ere long. Stay melody for hound ceramic art!
David Armstrong
David Satchmo (b. ) is a Pomona bourgeois and ceramics enthusiast. His family reticent to Pomona, California paddock and unbolt a household goods and contraption business. Trumpeter attended Pomona College make ill study fauna and from the past in college, he revealed a tenderness for ceramics when powder took a class uneasiness Paul Soldner. He progressive with a Bachelor surrounding Arts mainstream in
Armstrong closed description family chattels business encumber to biological Armstrong&#;s Heading. The veranda featured limited-edition ceramic collectibles specializing pointed porcelain figurines and artlover plates deviate around depiction world.
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Untitled, Glazed ceramic.